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(17829, 1763, '_elementor_data', '[{"id":"6879ffd","elType":"container","settings":{"flex_align_items":"center","grid_columns_grid":{"unit":"fr","size":1,"sizes":[]},"hover_parallax":[{"layer_position_vr":{"unit":"%","size":30},"layer_position_hr":{"unit":"%","size":40},"_id":"00052e6"},{"layer_position_vr":{"unit":"%","size":60},"layer_position_hr":{"unit":"%","size":20},"_id":"b31681b"}],"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","presetTitle":"Container","presetIcon":"eicon-container","grid_rows_grid":{"unit":"fr","size":3,"sizes":[]}},"elements":[{"id":"9ce5f78","elType":"widget","settings":{"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom"},"elements":[],"widgetType":"spacer"},{"id":"ef05fa7","elType":"container","settings":{"content_width":"full","width":{"unit":"%","size":80,"sizes":[]},"grid_columns_grid":{"unit":"fr","size":1,"sizes":[]},"grid_rows_grid":{"unit":"fr","size":4,"sizes":[]},"hover_parallax":[{"layer_position_vr":{"unit":"%","size":30},"layer_position_hr":{"unit":"%","size":40},"_id":"4a4179c"},{"layer_position_vr":{"unit":"%","size":60},"layer_position_hr":{"unit":"%","size":20},"_id":"8eebce5"}],"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","presetTitle":"Container","presetIcon":"eicon-container"},"elements":[{"id":"4bb8bcf","elType":"widget","settings":{"title":"The Spirit of A\\u00efta","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","title_color":"#BF122E"},"elements":[],"widgetType":"heading"},{"id":"e13c31e","elType":"widget","settings":{"editor":"<p><img class=\\"alignleft wp-image-1503 \\" src=\\"https:\\/\\/atlasazawan.com\\/wp-content\\/uploads\\/2024\\/12\\/lAita.webp\\" alt=\\"Atlas Azawan - Aita\\" width=\\"146\\" height=\\"276\\" \\/><\\/p><p>This art is a mix of Arab art, brought by the conquests of Eastern tribes, and Amazigh traditions. It is hard to pinpoint the exact time when <em>a\\u00efta<\\/em> was born. It is a form of Bedouin poetry (<em>q''cida<\\/em>), based on the language it uses. In some cases, it can be linked to Moroccan Arab tribes like the Ban\\u00fb Hilal or Ban\\u00fb Souleim, or those that settled in Morocco at the start of the Almohad Dynasty in the 12th century and blended with the Amazigh culture.<\\/p><p><em>A\\u00efta<\\/em> is a diverse art form with several styles that vary depending on the regions where they emerged. It is not found across all of Morocco, as <em>a\\u00efta<\\/em> does not exist in every region. Each version reflects the unique traits of its area, including social traditions, cultural practices, linguistic features, and the natural environment. These elements shape the different styles of <em>a\\u00efta<\\/em>. However, the regions of Abda, Chaouia, and Doukkala are the main centers of this oral poetry, where <em>a\\u00efta<\\/em> has flourished.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"d577593","elType":"widget","settings":{"title":"Moussem Moulay Abdellah","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","title_color":"#BF122E"},"elements":[],"widgetType":"heading"},{"id":"ed400f5","elType":"widget","settings":{"editor":"<p>The Moussem Moulay Abdellah takes place every year in the El Jadida region, a major center for <em>a\\u00efta<\\/em> music. It is an important and eagerly awaited gathering for the <em>Chikhat<\\/em> and <em>a\\u00efta<\\/em> music groups, who come here for an annual pilgrimage, preserving ancient traditions and participating in one of the biggest festivals in Morocco.<\\/p><p>The Moussem honors Saint Moulay Abdellah, who settled near El Jadida in the 11th century. For an entire week, this usually quiet area becomes the ultimate destination for people from the Doukkala plains and across Morocco. A large tent city forms around the saint\\u2019s shrine, and the area becomes vibrant with nonstop festive activity, turning it into a lively temporary town.<\\/p><p>The days are filled with moments of celebration and reflection. People come to reconnect with their tribe, meet family, seek forgiveness for their sins, shop, or sell goods in bustling, informal markets. Children enjoy themselves on carousels, while nearby, beautifully dressed horsemen participate in an ancient parade called <em>tbourida<\\/em>. This artistic horse-riding show ends with gunpowder shots and showcases the pride of the region.<\\/p><p>At nightfall, the <em>Chikhat<\\/em> take the stage to perform songs that are deeply rooted in the identity of this community. The connection between the audience and the <em>Chikhat<\\/em>, as they sing <em>a\\u00efta<\\/em> songs, is a highlight of the Moussem. Dozens of <em>a\\u00efta<\\/em> artists from all over Morocco come to celebrate the Moussem Moulay Abdellah, making it one of the most significant events for preserving this musical tradition.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"42396dd","elType":"widget","settings":{"title":"Tbourida inspires A\\u00efta","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","title_color":"#BF122E"},"elements":[],"widgetType":"heading"},{"id":"d22ab7d","elType":"widget","settings":{"editor":"<p>The deep connection between Aita and Tbourida goes back centuries. Hidden in the shadow of other musical genres, Aita has uniquely supported and promoted Tbourida. Whether by including it in its poetic themes or by being the official music for Tbourida during festivals (moussems), Aita''s songs are considered the only ones capable of accompanying the galloping horses of Tbourida.<\\/p><p>Aita Hasbaouia, popular in the regions of Chaouia, Doukkala, and Abda, has given rise to two famous songs dedicated to Tbourida: <strong>Rkoub Khayl<\\/strong> and <strong>Koubbat Ukhayl<\\/strong>. The Caids (tribal leaders), being fans of Aita and moussems, naturally embraced this connection. It is even said that the dance accompanying Aita songs is inspired by the movements of horses, where the dance steps mimic the sounds of galloping and the gestures of the riders.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"7dcf506","elType":"widget","settings":{"title":"The A\\u00efta and its Territories","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","title_color":"#BF122E"},"elements":[],"widgetType":"heading"},{"id":"7370da5","elType":"widget","settings":{"editor":"<p>The richness of the <em>aita<\\/em> is also connected to its roots in specific regions. Each area has its own unique style. Several types of <em>aita<\\/em> are clearly identified. We have chosen the most vibrant and dynamic ones within their social spaces, like <em>Lhasbaoui<\\/em>. Other types are much less common, and their repertoire is shrinking. There are fewer women in the groups and fewer young people to carry on the tradition, as seen with <em>aita Chaidmia<\\/em>.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"d0df81f","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>1. A\\u00efta Mersaouia<\\/strong><\\/span><\\/h4><p>Casablanca, a large Moroccan city located on the Atlantic Ocean and the country''s main economic center, has become a destination for rural people seeking work over time. In the early 20th century, a wave of migration from rural areas to the outskirts of Casablanca occurred. These people settled around the city, especially in the area known as \\"Marsa,\\" the port.<\\/p><p>The term \\"aita mersaouia\\" is often connected to this neighborhood where this type of aita music was born. At that time, life in these neighborhoods was hard, with poorly paid and degrading work.<\\/p><p>Unlike in the countryside, where women worked alongside men on farms, in the cities, women were reduced to the roles of mother and wife. Widowed or divorced women were the first victims of this system. When a woman lost her male support, her financial situation became very difficult, especially if she had children to care for. This situation worsened as it became urgent for her to find a job, ideally one that paid well.<\\/p><p>The work of \\"Chikhat\\" in cabarets provided these women with an opportunity to balance family life during the day and work at night. This is when the \\"aita mersaouia\\" style of music was born. The size of the city allowed women to work far from their neighborhoods, away from the eyes of their families and children. The cabarets and entertainment venues became a community for women looking to find their place in an urban life very different from their rural origins. The spread of this style also came from musicians who migrated to Casablanca to entertain workers feeling homesick.<\\/p><p>This form of music evolved by adding instruments like the Oud and became the urban successor of the \\"hasba,\\" which found new life in places like El Jadida and Settat.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"858df04","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>2. A\\u00efta Hasbaouia<br \\/><\\/strong><\\/span><\\/h4><p>The word \\"Hasbaoui\\" clearly refers to the territory of Lhasba in the Safi region.<\\/p><p>Here, the \\"aita\\" (a traditional music style) has been influenced by the social issues that concerned the tribes facing injustice, blending moments of joy with acts of strength and repression. These events also shaped this artistic style, which reflects the life of these tribes. More broadly, Hasbaoui refers to the Abda region, a rich agricultural area, ideal for life and growth. Large celebrations and festivals (Moussems) allowed the \\"aita\\" to be expressed, contributing to the richness of the Hasbaoui genre.<\\/p><p>The development of the Hasbaoui \\"aita\\" was also influenced by the special attention given to it by Caid Si Hmad around 1925, when he succeeded his father, known for his strictness. His father, Caid Aissa Ben Omar, was one of the persecutors of the legendary Chikha Karboucha, who resisted him and became an icon of the Hasbaoui \\"aita.\\" She dedicated her songs and rhythms to defending her tribe against the despotism of Caid Aissa Ben Omar. The \\"aita\\" owes a great legacy to her.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"d8d856a","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>3. A\\u00efta Jeblia<br \\/><\\/strong><\\/span><\\/h4><p>The Aita Jeblia is popular in the northern region, stretching from Tangier to T\\u00e9touan, Chefchaouen, Larache, Ksar Lekbir, and Taounate. It gained fame through chioukh (masters) like Ahmed Lgerfti, Mohamed Laaroussi, Britel, and Lkhmissi.<\\/p><p>Aita Jeblia is known for its poetic use of words. The themes often focus on nature and its beauty, as well as life in the mountains. Many songs also have a nationalist tone, defending the country against foreign invaders. The spiritual theme is also present in the Jebli repertoire, often honoring the region''s saint, Moulay Abdessalam M''chiche. Like other parts of Morocco, the aita also honors and celebrates local saints. Today, the Aita Jeblia still has descendants who continue its legacy, including Chikha Chama Zaz, Chikh Hajji Srifi, and the son of Ahmed Lgerfti.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"c65f5dc","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>4. A\\u00efta Za\\u00e2ria<br \\/><\\/strong><\\/span><\\/h4><p>The name Aita Za\\u00e2ria refers to the region of Rabat-Sal\\u00e9-Zemmour-Zaer and extends to Beni Mellal and Khouribga. Here, the aita takes on a very rich form. It is called Aita Ouardigh in the Rabat area, Aita Mellalia in Beni Mellal, and Khouribguia in Khouribga. All of these are equally rich.<\\/p><p>This form of aita is closely linked to agriculture. To celebrate the end of the agricultural season, Moussem festivals are organized where, for the occasion, the songs of the chikhates are performed to the music of Aita Za\\u00e2ria.<\\/p><p>Aita Za\\u00e2ria is known for using instruments like the violin, taarija (tambourine), ibendir, oud (lute), derbouka, and outar. Aita Za\\u00e2ria is also characterized by its precise technical rhythm, making it a stage for chikhates to compete with each other, showing off their skills while still maintaining the glamour and joy of the song. Some of the major figures who have helped make Aita one of the most important genres include Chikha Kharbou\\u00e2a, Chikha Zahra, and Chikh Mohamed Labuak.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"088c9e3","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>5. Aita Cha\\u00efdmia<br \\/><\\/strong><\\/span><\\/h4><p>Common in the Chiadma region, a little south of Safi and behind Essaouira, this type of alta seems to have undergone the least transformation. It is little known or even recognized among other types of alta and has a rougher form. The instruments used are very basic, including the Megroune, a kind of double flute made from wood, mounted on a completely handmade frame that only its player knows how to adjust. This type of alta reflects the harshness of life in this area, known for its tough and unkind nature. Yet, it is this same nature that is sung about by these troubadours, witnesses of a bygone era, who continue, we don''t know for how much longer, to bring joy and happiness to those around them. The powerful voice of the singer of the Chaldmia alta rises above the sound of his Megroune instrument.\\" The Berkhiss group is one of the last heirs of this version of alta, which can be considered the closest to its rural origin.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"ad1fa1f","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>6. Aita Haouzia<br \\/><\\/strong><\\/span><\\/h4><p>The Alta Haouzia covers the region of Marrakech, Kalaat Sraghna, Rhamna, and Ben Guerir. It is mainly sung by male voices. The Chioukhs (the male plural form of Chikha) also perform dances. The Aita Haouzia is known for its fast rhythm and simple structure. Before the introduction of the violin, it only used the tambourine and the ''loutar'' (a string instrument). The voice is the main element, and the lyrics are listened to carefully. Like other Aita music throughout Morocco, it often carries a national message, addressing historical topics and issues of activism for the country.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"8cd2d6a","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>7. Aita Filalia (Beldi) <br \\/><\\/strong><\\/span><\\/h4><p>With Alta Filalia (Beldi), we have a typical example that illustrates the regional variation of <em>falta<\\/em> in Morocco. Covering the Tafilalet region, this <em>aita<\\/em> is closely tied to the figure of Chikh Mohamed Baout. He chose to excel in <em>Tart de raita<\\/em> and moved to Casablanca and Safi to learn from the great masters of <em>Aita Mersaouia<\\/em>. He worked with artists performing before Caid Issa Ben Omar and was taught by his mentor, Bouchaib Lbidaoul. After returning to Errachidia, he blended these styles with the music of his region, such as <em>Lmalhoune<\\/em> and <em>Jerfi<\\/em>. This resulted in the creation of the Alta Filalia (Beldi) genre.<\\/p><p>His repertoire includes songs like \\"Moulate LKhala,\\" \\"Selem Ala Lberad Li Sawbouh LBnate,\\" and \\"Sakhi Bia.\\" The originality of Alta Filalia comes from the unique journey of its creator, who also introduced instruments like the accordion and mandolin, which are no longer part of the style. It is important to note that this genre of <em>alta<\\/em> carries a Sahrawi influence from the Filali terroir, making it unique. Deeply committed to his art, Mohamed Baout passed away in Mekn\\u00e8s while preparing to perform at the ABC cinema, where his audience was waiting for him.<\\/p><p>Today, Alta Filalia remains a valuable heritage cherished by the people of Errachidia. Like other forms of <em>aita<\\/em>, the Beldi genre suffers from a lack of support and transmission. Today, only Chikh Moulay Cherif Lhemri, a devoted disciple of Mohamed Baout\\u2019s legacy, continues to preserve this tradition. However, he is not a fan of large stages and gatherings, which prevents the genre from reaching its full potential and connecting with its audience as it deserves.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"}],"isInner":true},{"id":"032d2cb","elType":"widget","settings":{"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom"},"elements":[],"widgetType":"spacer"}],"isInner":false}]'),
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(17841, 1764, '_elementor_data', '[{"id":"6879ffd","elType":"container","settings":{"flex_align_items":"center","grid_columns_grid":{"unit":"fr","size":1,"sizes":[]},"hover_parallax":[{"layer_position_vr":{"unit":"%","size":30},"layer_position_hr":{"unit":"%","size":40},"_id":"00052e6"},{"layer_position_vr":{"unit":"%","size":60},"layer_position_hr":{"unit":"%","size":20},"_id":"b31681b"}],"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","presetTitle":"Container","presetIcon":"eicon-container","grid_rows_grid":{"unit":"fr","size":3,"sizes":[]}},"elements":[{"id":"9ce5f78","elType":"widget","settings":{"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom"},"elements":[],"widgetType":"spacer"},{"id":"ef05fa7","elType":"container","settings":{"content_width":"full","width":{"unit":"%","size":80,"sizes":[]},"grid_columns_grid":{"unit":"fr","size":1,"sizes":[]},"grid_rows_grid":{"unit":"fr","size":4,"sizes":[]},"hover_parallax":[{"layer_position_vr":{"unit":"%","size":30},"layer_position_hr":{"unit":"%","size":40},"_id":"4a4179c"},{"layer_position_vr":{"unit":"%","size":60},"layer_position_hr":{"unit":"%","size":20},"_id":"8eebce5"}],"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","presetTitle":"Container","presetIcon":"eicon-container"},"elements":[{"id":"4bb8bcf","elType":"widget","settings":{"title":"The anthology of Rrways has been released! Discover the new gem of Moroccan Amazigh musical heritage.","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","title_color":"#BF122E","typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"600","typography_line_height":{"unit":"px","size":40,"sizes":[]}},"elements":[],"widgetType":"heading"},{"id":"e13c31e","elType":"widget","settings":{"editor":"<p><img class=\\"alignleft wp-image-1510 \\" src=\\"https:\\/\\/atlasazawan.com\\/wp-content\\/uploads\\/2024\\/12\\/rrways.webp\\" alt=\\"Atlas Azwan - rrways\\" width=\\"202\\" height=\\"381\\" \\/><\\/p><p>The \\"Anthology of Rrways\\" is the result of two years of careful work, with many days of recording and filming to bring together a quality collection of significant pieces from both old and new \\u1e5a\\u1e5bways music albums.<\\/p><p>This new anthology, \\"Rrways: A Journey into the Realm of Amazigh Wandering Poet-singers,\\" is the result of thorough research and comes in a box set of 10 albums featuring 100 tracks recorded by over 80 artists in a Casablanca studio. The anthology also includes 3 booklets, each 120 pages long, in Arabic, French, and English. These booklets cover topics such as the origins of \\u1e5a\\u1e5bways music, its history and evolution over time, different rhythms, and biographies of the main Rrways and Ta\\u1e5b\\u1e5bwaysin artists.<\\/p><p>The Anthology is primarily a tribute to the Ta\\u1e5b\\u1e5bwaysin, Rrways, and all those who continue to preserve this artistic tradition that is an essential part of our national musical heritage. This project was made possible by the involvement and spontaneous efforts of many researchers, technicians, and artists, including about fifty performers and singers from several regions of Morocco such as Agadir, Inzegane, Marrakech, Casablanca, Essaouira, and Ouarzazate. They were eager to share their art and contribute to preserving and passing it on through this project.<\\/p><p>For those familiar with this music genre, these educational booklets will open the doors to understanding this musical heritage: the origins of Rrways music, its history, rhythms, and melodies, as well as the choreography used in performances. Listening to the tracks included with these booklets will deepen your experience and knowledge of this art.<\\/p><p>The Anthology of Rrways, a joint production of the <a href=\\"https:\\/\\/atlasazawan.com\\/en\\/intro\\/\\"><span style=\\"color: #bf122e;\\">Atlas Azawan Association<\\/span><\\/a> and Anya, directed by Brahim El Mazned, is the embodiment of the desire of the involved parties to preserve and promote Morocco''s intangible heritage through the music of Rrways; an art that has finally taken the place it deserved for a long time.<\\/p><p>It is an invitation to discover this new book on Morocco''s musical heritage, filled with the best artists. It is also an invitation to dive deeper into the wonderful world of Rrways music.<\\/p><p>The Anthology of Rrways: Key Figures :<\\/p><ul><li>1000 copies of the Anthology intended for institutions, libraries, conservatories, universities, cultural centers in Morocco and abroad.<\\/li><li>100 musical titles.<\\/li><li>10 albums.<\\/li><li>3 booklets (English\\/French\\/Arabic).<\\/li><li>80 musicians, including 50 performers.<\\/li><li>2 years of thorough research and fieldwork.<div class=\\"e-con-inner\\"><div class=\\"elementor-element elementor-element-910bea1 elementor-widget elementor-widget-spacer\\" data-id=\\"910bea1\\" data-element_type=\\"widget\\" data-widget_type=\\"spacer.default\\">\\u00a0<\\/div><\\/div><\\/li><\\/ul>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"}],"isInner":true},{"id":"032d2cb","elType":"widget","settings":{"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom"},"elements":[],"widgetType":"spacer"}],"isInner":false}]'),
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(17789, 1759, '_elementor_data', '[{"id":"6879ffd","elType":"container","settings":{"flex_align_items":"center","grid_columns_grid":{"unit":"fr","size":1,"sizes":[]},"hover_parallax":[{"layer_position_vr":{"unit":"%","size":30},"layer_position_hr":{"unit":"%","size":40},"_id":"00052e6"},{"layer_position_vr":{"unit":"%","size":60},"layer_position_hr":{"unit":"%","size":20},"_id":"b31681b"}],"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","presetTitle":"Container","presetIcon":"eicon-container","grid_rows_grid":{"unit":"fr","size":3,"sizes":[]}},"elements":[{"id":"9ce5f78","elType":"widget","settings":{"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom"},"elements":[],"widgetType":"spacer"},{"id":"ef05fa7","elType":"container","settings":{"content_width":"full","width":{"unit":"%","size":80,"sizes":[]},"grid_columns_grid":{"unit":"fr","size":1,"sizes":[]},"grid_rows_grid":{"unit":"fr","size":4,"sizes":[]},"hover_parallax":[{"layer_position_vr":{"unit":"%","size":30},"layer_position_hr":{"unit":"%","size":40},"_id":"4a4179c"},{"layer_position_vr":{"unit":"%","size":60},"layer_position_hr":{"unit":"%","size":20},"_id":"8eebce5"}],"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","presetTitle":"Container","presetIcon":"eicon-container"},"elements":[{"id":"4bb8bcf","elType":"widget","settings":{"title":"L''esprit de l''A\\u00efta\\n","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","title_color":"#BF122E"},"elements":[],"widgetType":"heading"},{"id":"e13c31e","elType":"widget","settings":{"editor":"<p><img class=\\"alignleft wp-image-1503 \\" src=\\"https:\\/\\/atlasazawan.com\\/wp-content\\/uploads\\/2024\\/12\\/lAita.webp\\" alt=\\"Atlas Azawan - Aita\\" width=\\"224\\" height=\\"423\\" \\/>Cet art r\\u00e9sulte de la fusion entre l''art arabe rapport\\u00e9 par les conqu\\u00eates des tribus d''Orient et la tradition amazighe, mais il est difficile de dater avec pr\\u00e9cision la naissance de l''a\\u00efta. Elle est une \\u00ab q''cida \\u00bb (po\\u00e9sie) d''essence b\\u00e9douine, si l''on se r\\u00e9f\\u00e8re \\u00e0 la langue qu''elle v\\u00e9hicule, que l''on peut, dans certains cas, rattacher \\u00e0 des tribus marocaines d''origine arabe, notamment les Ban\\u00fb Hilal ou les Ban\\u00fb Souleim, ou celles qui se sont \\u00e9tablies au Maroc au tout d\\u00e9but de l''\\u00e9poque de la Dynastie des Almohades, au Xll\\u00e8me si\\u00e8cle, et se sont fondues dans le substrat amazigh.<\\/p><p>L'' \\u00ab a\\u00efta \\u00bb est un art pluriel dans le sens o\\u00f9 il existe plusieurs genres qui se d\\u00e9clinent en fonction des r\\u00e9gions dans lesquelles ils sont apparus. Ce n''est pas un art qui s''\\u00e9tend sur tout le territoire marocain car l''a\\u00efta n''est pas pr\\u00e9sente dans toutes les r\\u00e9gions. Chaque variante se nourrit des caract\\u00e9ristiques de la r\\u00e9gion : les traditions sociales, les pratiques culturelles, les sp\\u00e9cificit\\u00e9s linguistiques et l''environnement naturel. Autant de composantes qui fa\\u00e7onnent les diff\\u00e9rentes versions. Il n''en reste pas moins que les r\\u00e9gions de Abda, Chaouia et Doukkala constituent le c\\u0153ur de cette forme de po\\u00e9sie orale o\\u00f9 l''a\\u00efta a trouv\\u00e9 un terrain fertile et favorable.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"d577593","elType":"widget","settings":{"title":"Moussem Moulay Abdellah","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","title_color":"#BF122E"},"elements":[],"widgetType":"heading"},{"id":"ed400f5","elType":"widget","settings":{"editor":"<p>Le Moussem Moulay Abdellah a lieu chaque ann\\u00e9e dans la r\\u00e9gion d''El Jadida, un des grands fiefs de l''a\\u00efta. Il est le rendez-vous attendu et incontournable des Chikhat et des ensembles de l''alta qui viennent ici en p\\u00e8lerinage annuel, perp\\u00e9tuant des traditions ancestrales et participant \\u00e0 une f\\u00eate populaire des plus grandes au Maroc.<\\/p><p>Le Moussem honore le Saint Moulay Abdellah venu s''installer \\u00e0 quelques kilom\\u00e8tres d''El Jadida au XIe si\\u00e8cle. Durant une semaine enti\\u00e8re, ce lieu g\\u00e9n\\u00e9ralement peu fr\\u00e9quent\\u00e9 durant l''ann\\u00e9e, se voit le but ultime d''une population venue de la plaine de Doukkala et du Maroc entier. Une ville de tentes occupe les abords du marabout de ce Saint et une activit\\u00e9 exceptionnelle s''installe alors pendant une semaine, donnant \\u00e0 ce lieu l''allure d''une ville \\u00e0 l''activit\\u00e9 festive ininterrompue.<\\/p><p>Les journ\\u00e9es sont ponctu\\u00e9es de moments de f\\u00eate et de recueillement. On y vient pour retrouver les membres de sa tribu, rencontrer sa famille, demander pardon pour ses p\\u00e9ch\\u00e9s, faire des achats ou m\\u00eame vendre des produits sur des \\u00e9tals informels et abondants qui cr\\u00e9ent un espace de commerce improvis\\u00e9. Les enfants sont choy\\u00e9s, les man\\u00e8ges tournent dans tous les sens. Juste un peu plus loin, des cavaliers om\\u00e9s de leurs plus belles parures se pr\\u00eatent \\u00e0 une parade ancestrale appel\\u00e9e tbourida\\u00bb. Une course artistique de chevaux qui se termine par des tirs de Baroud et qui fait la gloire de cette r\\u00e9gion du Maroc. Le soir, \\u00e0 la tomb\\u00e9e de la nuit, la parole est donn\\u00e9e aux Chikhat pour chanter un r\\u00e9pertoire faisant partie de l''ADN de cette population. La fusion du public avec les Chikhat reprenant le r\\u00e9pertoire de l''alta est un moment exceptionnel du Moussem. Des dizaines d''artistes du genre aita viennent du Maroc entier pour c\\u00e9l\\u00e9brer le Moussem Moulay Abdellah qui reste un des rendez-vous majeurs de pr\\u00e9servation de l''aita.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"42396dd","elType":"widget","settings":{"title":"Tbourida inspire l''a\\u00efta","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","title_color":"#BF122E"},"elements":[],"widgetType":"heading"},{"id":"d22ab7d","elType":"widget","settings":{"editor":"<p>La relation fusionnelle entre l''Aita et la Tbourida est centenaire. Cach\\u00e9e \\u00e0 fombre des autres genres musicaux, seule (Aita a su promouvoir la Tbourida. Que ce soit en fint\\u00e9grant dans ses th\\u00e9matiques po\\u00e9tiques ou en \\u00e9tant le genre musical officiel de la Tbourida dans les moussems, les chants de l''Alta sont consid\\u00e9r\\u00e9s comme les seuls \\u00e0 pouvoir se d\\u00e9ployer sur fond de galops des chevaux de la Tbourida. L''Alta Hasbaouia, r\\u00e9gnant dans la Chaouia, Doukkala et Abda, a enfant\\u00e9 deux chansons incontournables de [Alta consacr\\u00e9es \\u00e0 la Tbourida, \\u00e0 savoir Rkoub Khay! et Koubbat Ukhayl Les Caids \\u00e9tant des adeptes de l''Aita et des moussems, le mariage de ces demiers \\u00e9tait \\u00e9vident. On dit m\\u00eame que la danse qui accompagne les chants de l''Alta est inspir\\u00e9e des pas de chevaux; les pas de danse \\u00e9tant une interpr\\u00e9tation des sons de galops et des gestes des cavaliers.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"7dcf506","elType":"widget","settings":{"title":"L''a\\u00efta et ses territoires\\n","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","title_color":"#BF122E"},"elements":[],"widgetType":"heading"},{"id":"7370da5","elType":"widget","settings":{"editor":"<p>La richesse de l''alta est \\u00e9galement li\\u00e9e \\u00e0 son ancrage territorial. Chaque r\\u00e9gion a sa sp\\u00e9cificit\\u00e9. Plusieurs genres sont clairement identifi\\u00e9s. Nous avons s\\u00e9lectionn\\u00e9 les plus vivants et les plus dynamiques dans leur espace social comme Lhasbaoui. D''autres genres sont beaucoup plus discrets et le r\\u00e9pertoire s''appauvrit de plus en plus. On y retrouve moins de femmes dans les collectifs et moins de jeunes pour prendre la rel\\u00e8ve \\u00e0 l''exemple de l''aita Chaidmia.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"d0df81f","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>1. A\\u00efta Mersaouia<\\/strong><\\/span><\\/h4><p>Grande m\\u00e9tropole marocaine, ouverte sur l''Oc\\u00e9an Atlantique et principal p\\u00f4le \\u00e9conomique, Casablanca est devenue au fil du temps un foyer des populations paysannes en qu\\u00eate de travail. En effet, dans les premi\\u00e8res ann\\u00e9es du XXe si\\u00e8cle, une vague d''\\u00e9migration massive en provenance des campagnes marocaines a rayonn\\u00e9 vers la p\\u00e9riph\\u00e9rie de Casablanca. Ces populations se sont entass\\u00e9es aux abords de la ville, dans le quartier du marsa \\u00bb, le port.<\\/p><p>L''appellation aita mersaouia est souvent li\\u00e9e \\u00e0 ce quartier dans lequel cette forme d''aita est n\\u00e9e. \\u00c0 cette \\u00e9poque, la vie \\u00e9tait difficile dans ces quartiers, le travail d\\u00e9gradant et mal r\\u00e9mun\\u00e9r\\u00e9.<\\/p><p>Contrairement aux campagnes o\\u00f9 les femmes \\u00e9taient actives et participaient \\u00e0 l''entretien des domaines aux c\\u00f4t\\u00e9s des hommes, dans les villes, elles se sont r\\u00e9duites au statut de m\\u00e8re et d''\\u00e9pouse. Les femmes veuves ou divorc\\u00e9es sont les premi\\u00e8res victimes de ce syst\\u00e8me. Lorsqu''une femme se retrouve sans homme pour la soutenir, sa situation financi\\u00e8re devient particuli\\u00e8rement compliqu\\u00e9e surtout avec des enfants \\u00e0 charge. Sa situation financi\\u00e8re s''aggrave alors d''autant plus qu''il est important pour elle de trouver un travail rapidement et si possible bien r\\u00e9mun\\u00e9r\\u00e9.<\\/p><p>Le travail de Chikhat dans les cabarets offre \\u00e0 ces femmes une opportunit\\u00e9 de combiner vie familiale pendant la journ\\u00e9e et travail de nuit. L''aita mersaouia est alors n\\u00e9e dans ce terreau. L''ampleur de la ville permettait aux femmes de travailler loin de leur quartier, loin des regards de la famille et des enfants. Les cabarets et lieux de distraction abritaient alors toute une communaut\\u00e9 de femmes \\u00e0 la recherche d''une place dans une urbanisation qui contraste avec leur campagne d''origine. La diffusion de l''alta dans cette grande ville vient aussi du choix des musiciens qui migrent vers Casablanca pour distraire les ouvriers en mal du pays.<\\/p><p>Cette forme s''est modernis\\u00e9e en ajoutant des instruments comme l''Oud Elle est l''h\\u00e9riti\\u00e8re urbaine de l''hasba qui a trouv\\u00e9 dans ces territoires un nouveau souffle, notamment \\u00e0 El Jadida et Settat.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"858df04","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>2. A\\u00efta Hasbaouia<br \\/><\\/strong><\\/span><\\/h4><p>Le mot hasbaoui renvoie clairement et simplement au territoire de Lhasba dans la r\\u00e9gion de Safi.<\\/p><p>Ici, l''a\\u00efta s''est nourrie des sujets de soci\\u00e9t\\u00e9 qui ont pr\\u00e9occup\\u00e9 les tribus en proie \\u00e0 l''injustice, entre moments de plaisir et exercices de force et de r\\u00e9pression qui ont aussi influenc\\u00e9 ce style artistique qui refl\\u00e8te la vie de ces tribus. Le Hasbaoui renvoie plus globalement \\u00e0 la R\\u00e9gion de Abda, territoire agricole riche et donc propice \\u00e0 la vie et \\u00e0 l''\\u00e9panouissement. Ici, de grandes f\\u00eates et Moussems ont permis \\u00e0 l''aita de s''exprimer, d''o\\u00f9 la richesse du genre Hasbaoui. L''\\u00e9panouissement de l''a\\u00efta hasbaouia vient aussi du soin et de l''int\\u00e9r\\u00eat particulier que le Caid Si Hmad lui a port\\u00e9 vers les ann\\u00e9es 1925, date \\u00e0 laquelle il a pris le relais de son p\\u00e8re connu pour son aust\\u00e9rit\\u00e9. Son p\\u00e8re, Caid Aissa Ben Omar, \\u00e9tait d''ailleurs un des pers\\u00e9cuteurs de la mythique Chikha Karboucha\\u00bb qui lui a tenu t\\u00eate et qui est l''une des ic\\u00f4nes de l'' aita hasbaouia. Elle a consacr\\u00e9 ses paroles et ses rythmes \\u00e0 d\\u00e9fendre sa tribu contre le despotisme de Caid Aissa Ben Omar. L''aita lui doit un h\\u00e9ritage d''une grande valeur.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"d8d856a","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>3. A\\u00efta Jeblia<br \\/><\\/strong><\\/span><\\/h4><p>R\\u00e9pandue dans la r\\u00e9gion du Nord s''\\u00e9tendant de Tanger vers T\\u00e9touan, Chefchaouen, Larrache, Ksar Lekbir et Taounate, l''Aita Jeblia a connu sa gloire avec des chioukhs comme Ahmed Lgerfti, Mohamed Laaroussi, Britel et Lkhmissi.<\\/p><p>L''Aita Jeblia se caract\\u00e9rise par une manipulation des mots avec beaucoup de po\\u00e9sie. Les th\\u00e8mes renvoient majoritairement \\u00e0 la nature et sa beaut\\u00e9 et \\u00e0 la vie dans les montagnes. Il n''en reste pas moins que beaucoup de chansons ont un caract\\u00e8re nationaliste d\\u00e9fendant le pays contre l''occupant. La th\\u00e9matique spirituelle ne manque pas dans le r\\u00e9pertoire Jebli et renvoie majoritairement au Saint protecteur de cette r\\u00e9gion, Moulay Abdessalam M''chiche. Ici aussi, l''a\\u00efta rend hommage et honore ses saints comme partout ailleurs dans les autres terroirs du Maroc. Aujourd''hui, L''Aita Jeblia compte encore des h\\u00e9ritiers qui lui permettent de garder son ampleur et dont nous pouvons citer Chikha Chama Zaz, Chikh Hajji Srifi et le fils h\\u00e9ritier de Ahmed Lgerfti.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"c65f5dc","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>4. A\\u00efta Za\\u00e2ria<br \\/><\\/strong><\\/span><\\/h4><p>Le nom Aita Za\\u00e2ria renvoie \\u00e0 la r\\u00e9gion de Rabat-Sal\\u00e9-Zemmour- Zaer et s''\\u00e9tend jusqu''\\u00e0 Beni Mellal et Khouribga. Ici, l''aita se d\\u00e9cline d''une mani\\u00e8re tr\\u00e8s riche. Elle s''appelle aita Ouardigh du c\\u00f4t\\u00e9 de Rabat, aita Mellalia du c\\u00f4t\\u00e9 de Beni Mellal et khouribguia du c\\u00f4t\\u00e9 de khouribga. Elles sont toutes aussi riches les unes que les autres.<\\/p><p>Cette forme de aita est en relation directe avec l''agriculture. Ainsi, pour f\\u00eater la fin de la saison agricole, des Moussems sont organis\\u00e9s o\\u00f9, pour l''occasion, le chant des chikhates vibre sur la musique de l''Aita Za\\u00e1ria.<\\/p><p>L''Aita Za\\u00e5ria est connue pour utiliser le violon, taarija (tambourin). Ibendir, Oud (Luth), Derbouka, Outar... L''Aita Za\\u00e2ria se caract\\u00e9rise par une technicit\\u00e9 pr\\u00e9cise (temps) qui en fait un champ de performance pour les chikhates qui rivalisent les unes apr\\u00e8s les autres pour d\\u00e9montrer leur ma\\u00eetrise, sans jamais perdre le sens du glamour et le plaisir du chant. Parmi les figures majeures qui ont permis \\u00e0 cette aita de compter parmi les plus importantes, nous pouvons citer Chikha Kharbou\\u00e2a, Chikha Zahra et Chikh Mohamed Labuak.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"088c9e3","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>5. Aita Cha\\u00efdmia<br \\/><\\/strong><\\/span><\\/h4><p>R\\u00e9pandu dans la r\\u00e9gion de Chiadma, un peu plus au sud de Safi vers l''arri\\u00e8re d''Essaouira, ce genre de alta est aujourd''hui celui qui semble avoir subi le moins de transformations. Peu connu, voire reconnu parmi les autres types de alta, il pr\\u00e9sente une forme plus brute. Les instruments utilis\\u00e9s, tr\\u00e8s basiques, comptent un Megroune, sorte de double-fl\\u00fcte en bois mont\\u00e9e sur une forme de core enti\\u00e8rement faite main que seul son joueur sait r\\u00e9gler. Ce type de alta semble \\u00e0 l''image de la duret\\u00e9 de la vie quelle d\\u00e9crit dans cette plaine \\u00e0 la nature r\\u00e9put\\u00e9e rude et peu g\\u00e9n\\u00e9reuse. Pourtant, c''est bien cette m\\u00eame nature qui est chant\\u00e9e par ces troubadours t\\u00e9moins d''une autre \\u00e9poque et qui continuent, on ne sait pour combien de temps encore, \\u00e0 apporter joie et bonheur autour d''eux. La voix puissante du chanteur de l''aita Chaldmia s''\\u00e9l\\u00e8ve pour d\\u00e9passer celle de son instrument Megroune\\u00bb. Le groupe Berkhiss est aujourd''hui un des derniers h\\u00e9ritiers de cette version de alta que l''on peut qualifier comme la plus proche de son origine paysanne.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"ad1fa1f","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>6. Aita Haouzia<br \\/><\\/strong><\\/span><\\/h4><p>L''Alta Haouzia couvre la r\\u00e9gion de Marrakech, Kalaat Sraghna, Rhamna, Ben Guerir. Elle a la particularit\\u00e9 d''\\u00eatre chant\\u00e9e majoritairement par des voix masculines. Les Chioukhs (pluriel masculin de Chikha) se pr\\u00eatent aussi \\u00e0 des danses. L''Aita Haouzia se caract\\u00e9rise aussi par son rythme acc\\u00e9l\\u00e9r\\u00e9, sa composition simple. Avant l''introduction du violon, l''Aita Haouzia utilisait uniquement le tambourin et le \\"loutar\\". La voix y est dominante et les paroles s''\\u00e9coutent attentivement. Comme les autres aita \\u00e0 travers le Maroc. elle a souvent port\\u00e9 une mission nationale en traitant de sujets historiques et \\u00e0 caract\\u00e8re militant pour le pays.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"8cd2d6a","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>7. Aita Filalia (Beldi) <br \\/><\\/strong><\\/span><\\/h4><p>Avec Alta Filalia (beldi), nous sommes typiquement devant un cas d''\\u00e9cole qui renseigne sur la d\\u00e9clinaison de genre de falta sur les territoires du Maroc. Couvrant la r\\u00e9gion de Tafilalet, cette aita est intrins\\u00e8quement li\\u00e9e \\u00e0 la personne du Chikh Mohamed Baout qui, faisant le choix d''exceller dans Tart de raita, a migr\\u00e9 vers Casablanca et Safi pour s''inspirer des grands maltres de rAita Mersaouia. Il a c\\u00f4toy\\u00e9 les artistes se produisant devant Caid Issa Ben Omar et avait pour maltre Bouchaib Lbidaoul. De retour \\u00e0 Errachidia, il combine ces genres ma\\u00eetris\\u00e9s ailleurs \\u00e0 la musique de sa r\\u00e9gion comme Lmalhoune et Jerfi. Il en est sorti le genre de Alta Filalia (Beldi).<br \\/><br \\/>Son repertoire compte des chansons comme Moulate LKhala\\u00bb, Selem Ala Lberad Li Sawbouh LBnate ou Sakhi Bia. La tradition de l''Aita Filalia tire ainsi son originalit\\u00e9 de ce parcours atypique de son maltre qui y a aussi introduit des instruments comme raccord\\u00e9on et la mandoline qui n''en font plus partie depuis. Il faut noter que ce genre de alta porte TADN sahraoui propre au terroir filali. Elle est en cela unique et particuli\\u00e8re Engag\\u00e9 jusqu''au bout dans son art, Mohamed Baout d\\u00e9c\\u00e8de \\u00e0 Mekn\\u00e8s alors qu''il se pr\\u00e9pare \\u00e0 monter sur les planches du cin\\u00e9ma ABC o\\u00f9 son public l''attend....<br \\/><br \\/>Aujourd''hui, l''Aita Filalia reste un patrimoine de grande valeur que la r\\u00e9gion d''Errachidia affectionne particuli\\u00e8rement. Comme les autres formes de l''aita, le Beldi souffre d''un manque de relais et de transmission. De nos jours, seul Chikh Moulay Cherif Lhemri un disciple fid\\u00e8le et passionn\\u00e9 de T''h\\u00e9ritage de Mohamed Baout. Il continue de perp\\u00e9tuer cette tradition sans pour autant \\u00eatre un fervent adorateur des sc\\u00e8nes et des grandes rencontres, ce qui ne permet pas \\u00e0 cette alta de prendre la place qu''elle merite et d''aller \\u00e0 la rencontre de son public.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"}],"isInner":true},{"id":"032d2cb","elType":"widget","settings":{"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom"},"elements":[],"widgetType":"spacer"}],"isInner":false}]');
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Elle est une \\u00ab q''cida \\u00bb (po\\u00e9sie) d''essence b\\u00e9douine, si l''on se r\\u00e9f\\u00e8re \\u00e0 la langue qu''elle v\\u00e9hicule, que l''on peut, dans certains cas, rattacher \\u00e0 des tribus marocaines d''origine arabe, notamment les Ban\\u00fb Hilal ou les Ban\\u00fb Souleim, ou celles qui se sont \\u00e9tablies au Maroc au tout d\\u00e9but de l''\\u00e9poque de la Dynastie des Almohades, au Xll\\u00e8me si\\u00e8cle, et se sont fondues dans le substrat amazigh.<\\/p><p>L'' \\u00ab a\\u00efta \\u00bb est un art pluriel dans le sens o\\u00f9 il existe plusieurs genres qui se d\\u00e9clinent en fonction des r\\u00e9gions dans lesquelles ils sont apparus. Ce n''est pas un art qui s''\\u00e9tend sur tout le territoire marocain car l''a\\u00efta n''est pas pr\\u00e9sente dans toutes les r\\u00e9gions. Chaque variante se nourrit des caract\\u00e9ristiques de la r\\u00e9gion : les traditions sociales, les pratiques culturelles, les sp\\u00e9cificit\\u00e9s linguistiques et l''environnement naturel. Autant de composantes qui fa\\u00e7onnent les diff\\u00e9rentes versions. Il n''en reste pas moins que les r\\u00e9gions de Abda, Chaouia et Doukkala constituent le c\\u0153ur de cette forme de po\\u00e9sie orale o\\u00f9 l''a\\u00efta a trouv\\u00e9 un terrain fertile et favorable.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"d577593","elType":"widget","settings":{"title":"Moussem Moulay Abdellah","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","title_color":"#BF122E"},"elements":[],"widgetType":"heading"},{"id":"ed400f5","elType":"widget","settings":{"editor":"<p>Le Moussem Moulay Abdellah a lieu chaque ann\\u00e9e dans la r\\u00e9gion d''El Jadida, un des grands fiefs de l''a\\u00efta. Il est le rendez-vous attendu et incontournable des Chikhat et des ensembles de l''alta qui viennent ici en p\\u00e8lerinage annuel, perp\\u00e9tuant des traditions ancestrales et participant \\u00e0 une f\\u00eate populaire des plus grandes au Maroc.<\\/p><p>Le Moussem honore le Saint Moulay Abdellah venu s''installer \\u00e0 quelques kilom\\u00e8tres d''El Jadida au XIe si\\u00e8cle. Durant une semaine enti\\u00e8re, ce lieu g\\u00e9n\\u00e9ralement peu fr\\u00e9quent\\u00e9 durant l''ann\\u00e9e, se voit le but ultime d''une population venue de la plaine de Doukkala et du Maroc entier. Une ville de tentes occupe les abords du marabout de ce Saint et une activit\\u00e9 exceptionnelle s''installe alors pendant une semaine, donnant \\u00e0 ce lieu l''allure d''une ville \\u00e0 l''activit\\u00e9 festive ininterrompue.<\\/p><p>Les journ\\u00e9es sont ponctu\\u00e9es de moments de f\\u00eate et de recueillement. On y vient pour retrouver les membres de sa tribu, rencontrer sa famille, demander pardon pour ses p\\u00e9ch\\u00e9s, faire des achats ou m\\u00eame vendre des produits sur des \\u00e9tals informels et abondants qui cr\\u00e9ent un espace de commerce improvis\\u00e9. Les enfants sont choy\\u00e9s, les man\\u00e8ges tournent dans tous les sens. Juste un peu plus loin, des cavaliers om\\u00e9s de leurs plus belles parures se pr\\u00eatent \\u00e0 une parade ancestrale appel\\u00e9e tbourida\\u00bb. Une course artistique de chevaux qui se termine par des tirs de Baroud et qui fait la gloire de cette r\\u00e9gion du Maroc. Le soir, \\u00e0 la tomb\\u00e9e de la nuit, la parole est donn\\u00e9e aux Chikhat pour chanter un r\\u00e9pertoire faisant partie de l''ADN de cette population. La fusion du public avec les Chikhat reprenant le r\\u00e9pertoire de l''alta est un moment exceptionnel du Moussem. Des dizaines d''artistes du genre aita viennent du Maroc entier pour c\\u00e9l\\u00e9brer le Moussem Moulay Abdellah qui reste un des rendez-vous majeurs de pr\\u00e9servation de l''aita.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"42396dd","elType":"widget","settings":{"title":"Tbourida inspire l''a\\u00efta","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","title_color":"#BF122E"},"elements":[],"widgetType":"heading"},{"id":"d22ab7d","elType":"widget","settings":{"editor":"<p>La relation fusionnelle entre l''Aita et la Tbourida est centenaire. Cach\\u00e9e \\u00e0 fombre des autres genres musicaux, seule (Aita a su promouvoir la Tbourida. Que ce soit en fint\\u00e9grant dans ses th\\u00e9matiques po\\u00e9tiques ou en \\u00e9tant le genre musical officiel de la Tbourida dans les moussems, les chants de l''Alta sont consid\\u00e9r\\u00e9s comme les seuls \\u00e0 pouvoir se d\\u00e9ployer sur fond de galops des chevaux de la Tbourida. L''Alta Hasbaouia, r\\u00e9gnant dans la Chaouia, Doukkala et Abda, a enfant\\u00e9 deux chansons incontournables de [Alta consacr\\u00e9es \\u00e0 la Tbourida, \\u00e0 savoir Rkoub Khay! et Koubbat Ukhayl Les Caids \\u00e9tant des adeptes de l''Aita et des moussems, le mariage de ces demiers \\u00e9tait \\u00e9vident. On dit m\\u00eame que la danse qui accompagne les chants de l''Alta est inspir\\u00e9e des pas de chevaux; les pas de danse \\u00e9tant une interpr\\u00e9tation des sons de galops et des gestes des cavaliers.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"7dcf506","elType":"widget","settings":{"title":"L''a\\u00efta et ses territoires\\n","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","title_color":"#BF122E"},"elements":[],"widgetType":"heading"},{"id":"7370da5","elType":"widget","settings":{"editor":"<p>La richesse de l''alta est \\u00e9galement li\\u00e9e \\u00e0 son ancrage territorial. Chaque r\\u00e9gion a sa sp\\u00e9cificit\\u00e9. Plusieurs genres sont clairement identifi\\u00e9s. Nous avons s\\u00e9lectionn\\u00e9 les plus vivants et les plus dynamiques dans leur espace social comme Lhasbaoui. D''autres genres sont beaucoup plus discrets et le r\\u00e9pertoire s''appauvrit de plus en plus. On y retrouve moins de femmes dans les collectifs et moins de jeunes pour prendre la rel\\u00e8ve \\u00e0 l''exemple de l''aita Chaidmia.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"d0df81f","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>1. A\\u00efta Mersaouia<\\/strong><\\/span><\\/h4><p>Grande m\\u00e9tropole marocaine, ouverte sur l''Oc\\u00e9an Atlantique et principal p\\u00f4le \\u00e9conomique, Casablanca est devenue au fil du temps un foyer des populations paysannes en qu\\u00eate de travail. En effet, dans les premi\\u00e8res ann\\u00e9es du XXe si\\u00e8cle, une vague d''\\u00e9migration massive en provenance des campagnes marocaines a rayonn\\u00e9 vers la p\\u00e9riph\\u00e9rie de Casablanca. Ces populations se sont entass\\u00e9es aux abords de la ville, dans le quartier du marsa \\u00bb, le port.<\\/p><p>L''appellation aita mersaouia est souvent li\\u00e9e \\u00e0 ce quartier dans lequel cette forme d''aita est n\\u00e9e. \\u00c0 cette \\u00e9poque, la vie \\u00e9tait difficile dans ces quartiers, le travail d\\u00e9gradant et mal r\\u00e9mun\\u00e9r\\u00e9.<\\/p><p>Contrairement aux campagnes o\\u00f9 les femmes \\u00e9taient actives et participaient \\u00e0 l''entretien des domaines aux c\\u00f4t\\u00e9s des hommes, dans les villes, elles se sont r\\u00e9duites au statut de m\\u00e8re et d''\\u00e9pouse. Les femmes veuves ou divorc\\u00e9es sont les premi\\u00e8res victimes de ce syst\\u00e8me. Lorsqu''une femme se retrouve sans homme pour la soutenir, sa situation financi\\u00e8re devient particuli\\u00e8rement compliqu\\u00e9e surtout avec des enfants \\u00e0 charge. Sa situation financi\\u00e8re s''aggrave alors d''autant plus qu''il est important pour elle de trouver un travail rapidement et si possible bien r\\u00e9mun\\u00e9r\\u00e9.<\\/p><p>Le travail de Chikhat dans les cabarets offre \\u00e0 ces femmes une opportunit\\u00e9 de combiner vie familiale pendant la journ\\u00e9e et travail de nuit. L''aita mersaouia est alors n\\u00e9e dans ce terreau. L''ampleur de la ville permettait aux femmes de travailler loin de leur quartier, loin des regards de la famille et des enfants. Les cabarets et lieux de distraction abritaient alors toute une communaut\\u00e9 de femmes \\u00e0 la recherche d''une place dans une urbanisation qui contraste avec leur campagne d''origine. La diffusion de l''alta dans cette grande ville vient aussi du choix des musiciens qui migrent vers Casablanca pour distraire les ouvriers en mal du pays.<\\/p><p>Cette forme s''est modernis\\u00e9e en ajoutant des instruments comme l''Oud Elle est l''h\\u00e9riti\\u00e8re urbaine de l''hasba qui a trouv\\u00e9 dans ces territoires un nouveau souffle, notamment \\u00e0 El Jadida et Settat.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"858df04","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>2. A\\u00efta Hasbaouia<br \\/><\\/strong><\\/span><\\/h4><p>Le mot hasbaoui renvoie clairement et simplement au territoire de Lhasba dans la r\\u00e9gion de Safi.<\\/p><p>Ici, l''a\\u00efta s''est nourrie des sujets de soci\\u00e9t\\u00e9 qui ont pr\\u00e9occup\\u00e9 les tribus en proie \\u00e0 l''injustice, entre moments de plaisir et exercices de force et de r\\u00e9pression qui ont aussi influenc\\u00e9 ce style artistique qui refl\\u00e8te la vie de ces tribus. Le Hasbaoui renvoie plus globalement \\u00e0 la R\\u00e9gion de Abda, territoire agricole riche et donc propice \\u00e0 la vie et \\u00e0 l''\\u00e9panouissement. Ici, de grandes f\\u00eates et Moussems ont permis \\u00e0 l''aita de s''exprimer, d''o\\u00f9 la richesse du genre Hasbaoui. L''\\u00e9panouissement de l''a\\u00efta hasbaouia vient aussi du soin et de l''int\\u00e9r\\u00eat particulier que le Caid Si Hmad lui a port\\u00e9 vers les ann\\u00e9es 1925, date \\u00e0 laquelle il a pris le relais de son p\\u00e8re connu pour son aust\\u00e9rit\\u00e9. Son p\\u00e8re, Caid Aissa Ben Omar, \\u00e9tait d''ailleurs un des pers\\u00e9cuteurs de la mythique Chikha Karboucha\\u00bb qui lui a tenu t\\u00eate et qui est l''une des ic\\u00f4nes de l'' aita hasbaouia. Elle a consacr\\u00e9 ses paroles et ses rythmes \\u00e0 d\\u00e9fendre sa tribu contre le despotisme de Caid Aissa Ben Omar. L''aita lui doit un h\\u00e9ritage d''une grande valeur.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"d8d856a","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>3. A\\u00efta Jeblia<br \\/><\\/strong><\\/span><\\/h4><p>R\\u00e9pandue dans la r\\u00e9gion du Nord s''\\u00e9tendant de Tanger vers T\\u00e9touan, Chefchaouen, Larrache, Ksar Lekbir et Taounate, l''Aita Jeblia a connu sa gloire avec des chioukhs comme Ahmed Lgerfti, Mohamed Laaroussi, Britel et Lkhmissi.<\\/p><p>L''Aita Jeblia se caract\\u00e9rise par une manipulation des mots avec beaucoup de po\\u00e9sie. Les th\\u00e8mes renvoient majoritairement \\u00e0 la nature et sa beaut\\u00e9 et \\u00e0 la vie dans les montagnes. Il n''en reste pas moins que beaucoup de chansons ont un caract\\u00e8re nationaliste d\\u00e9fendant le pays contre l''occupant. La th\\u00e9matique spirituelle ne manque pas dans le r\\u00e9pertoire Jebli et renvoie majoritairement au Saint protecteur de cette r\\u00e9gion, Moulay Abdessalam M''chiche. Ici aussi, l''a\\u00efta rend hommage et honore ses saints comme partout ailleurs dans les autres terroirs du Maroc. Aujourd''hui, L''Aita Jeblia compte encore des h\\u00e9ritiers qui lui permettent de garder son ampleur et dont nous pouvons citer Chikha Chama Zaz, Chikh Hajji Srifi et le fils h\\u00e9ritier de Ahmed Lgerfti.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"c65f5dc","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>4. A\\u00efta Za\\u00e2ria<br \\/><\\/strong><\\/span><\\/h4><p>Le nom Aita Za\\u00e2ria renvoie \\u00e0 la r\\u00e9gion de Rabat-Sal\\u00e9-Zemmour- Zaer et s''\\u00e9tend jusqu''\\u00e0 Beni Mellal et Khouribga. Ici, l''aita se d\\u00e9cline d''une mani\\u00e8re tr\\u00e8s riche. Elle s''appelle aita Ouardigh du c\\u00f4t\\u00e9 de Rabat, aita Mellalia du c\\u00f4t\\u00e9 de Beni Mellal et khouribguia du c\\u00f4t\\u00e9 de khouribga. Elles sont toutes aussi riches les unes que les autres.<\\/p><p>Cette forme de aita est en relation directe avec l''agriculture. Ainsi, pour f\\u00eater la fin de la saison agricole, des Moussems sont organis\\u00e9s o\\u00f9, pour l''occasion, le chant des chikhates vibre sur la musique de l''Aita Za\\u00e1ria.<\\/p><p>L''Aita Za\\u00e5ria est connue pour utiliser le violon, taarija (tambourin). Ibendir, Oud (Luth), Derbouka, Outar... L''Aita Za\\u00e2ria se caract\\u00e9rise par une technicit\\u00e9 pr\\u00e9cise (temps) qui en fait un champ de performance pour les chikhates qui rivalisent les unes apr\\u00e8s les autres pour d\\u00e9montrer leur ma\\u00eetrise, sans jamais perdre le sens du glamour et le plaisir du chant. Parmi les figures majeures qui ont permis \\u00e0 cette aita de compter parmi les plus importantes, nous pouvons citer Chikha Kharbou\\u00e2a, Chikha Zahra et Chikh Mohamed Labuak.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"088c9e3","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>5. Aita Cha\\u00efdmia<br \\/><\\/strong><\\/span><\\/h4><p>R\\u00e9pandu dans la r\\u00e9gion de Chiadma, un peu plus au sud de Safi vers l''arri\\u00e8re d''Essaouira, ce genre de alta est aujourd''hui celui qui semble avoir subi le moins de transformations. Peu connu, voire reconnu parmi les autres types de alta, il pr\\u00e9sente une forme plus brute. Les instruments utilis\\u00e9s, tr\\u00e8s basiques, comptent un Megroune, sorte de double-fl\\u00fcte en bois mont\\u00e9e sur une forme de core enti\\u00e8rement faite main que seul son joueur sait r\\u00e9gler. Ce type de alta semble \\u00e0 l''image de la duret\\u00e9 de la vie quelle d\\u00e9crit dans cette plaine \\u00e0 la nature r\\u00e9put\\u00e9e rude et peu g\\u00e9n\\u00e9reuse. Pourtant, c''est bien cette m\\u00eame nature qui est chant\\u00e9e par ces troubadours t\\u00e9moins d''une autre \\u00e9poque et qui continuent, on ne sait pour combien de temps encore, \\u00e0 apporter joie et bonheur autour d''eux. La voix puissante du chanteur de l''aita Chaldmia s''\\u00e9l\\u00e8ve pour d\\u00e9passer celle de son instrument Megroune\\u00bb. Le groupe Berkhiss est aujourd''hui un des derniers h\\u00e9ritiers de cette version de alta que l''on peut qualifier comme la plus proche de son origine paysanne.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"ad1fa1f","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>6. Aita Haouzia<br \\/><\\/strong><\\/span><\\/h4><p>L''Alta Haouzia couvre la r\\u00e9gion de Marrakech, Kalaat Sraghna, Rhamna, Ben Guerir. Elle a la particularit\\u00e9 d''\\u00eatre chant\\u00e9e majoritairement par des voix masculines. Les Chioukhs (pluriel masculin de Chikha) se pr\\u00eatent aussi \\u00e0 des danses. L''Aita Haouzia se caract\\u00e9rise aussi par son rythme acc\\u00e9l\\u00e9r\\u00e9, sa composition simple. Avant l''introduction du violon, l''Aita Haouzia utilisait uniquement le tambourin et le \\"loutar\\". La voix y est dominante et les paroles s''\\u00e9coutent attentivement. Comme les autres aita \\u00e0 travers le Maroc. elle a souvent port\\u00e9 une mission nationale en traitant de sujets historiques et \\u00e0 caract\\u00e8re militant pour le pays.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"8cd2d6a","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>7. Aita Filalia (Beldi) <br \\/><\\/strong><\\/span><\\/h4><p>Avec Alta Filalia (beldi), nous sommes typiquement devant un cas d''\\u00e9cole qui renseigne sur la d\\u00e9clinaison de genre de falta sur les territoires du Maroc. Couvrant la r\\u00e9gion de Tafilalet, cette aita est intrins\\u00e8quement li\\u00e9e \\u00e0 la personne du Chikh Mohamed Baout qui, faisant le choix d''exceller dans Tart de raita, a migr\\u00e9 vers Casablanca et Safi pour s''inspirer des grands maltres de rAita Mersaouia. Il a c\\u00f4toy\\u00e9 les artistes se produisant devant Caid Issa Ben Omar et avait pour maltre Bouchaib Lbidaoul. De retour \\u00e0 Errachidia, il combine ces genres ma\\u00eetris\\u00e9s ailleurs \\u00e0 la musique de sa r\\u00e9gion comme Lmalhoune et Jerfi. Il en est sorti le genre de Alta Filalia (Beldi).<br \\/><br \\/>Son repertoire compte des chansons comme Moulate LKhala\\u00bb, Selem Ala Lberad Li Sawbouh LBnate ou Sakhi Bia. La tradition de l''Aita Filalia tire ainsi son originalit\\u00e9 de ce parcours atypique de son maltre qui y a aussi introduit des instruments comme raccord\\u00e9on et la mandoline qui n''en font plus partie depuis. Il faut noter que ce genre de alta porte TADN sahraoui propre au terroir filali. Elle est en cela unique et particuli\\u00e8re Engag\\u00e9 jusqu''au bout dans son art, Mohamed Baout d\\u00e9c\\u00e8de \\u00e0 Mekn\\u00e8s alors qu''il se pr\\u00e9pare \\u00e0 monter sur les planches du cin\\u00e9ma ABC o\\u00f9 son public l''attend....<br \\/><br \\/>Aujourd''hui, l''Aita Filalia reste un patrimoine de grande valeur que la r\\u00e9gion d''Errachidia affectionne particuli\\u00e8rement. Comme les autres formes de l''aita, le Beldi souffre d''un manque de relais et de transmission. De nos jours, seul Chikh Moulay Cherif Lhemri un disciple fid\\u00e8le et passionn\\u00e9 de T''h\\u00e9ritage de Mohamed Baout. Il continue de perp\\u00e9tuer cette tradition sans pour autant \\u00eatre un fervent adorateur des sc\\u00e8nes et des grandes rencontres, ce qui ne permet pas \\u00e0 cette alta de prendre la place qu''elle merite et d''aller \\u00e0 la rencontre de son public.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"}],"isInner":true},{"id":"032d2cb","elType":"widget","settings":{"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom"},"elements":[],"widgetType":"spacer"}],"isInner":false}]'),
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(17820, 1762, '_elementor_data', '[{"id":"6879ffd","elType":"container","settings":{"flex_align_items":"center","grid_columns_grid":{"unit":"fr","size":1,"sizes":[]},"hover_parallax":[{"layer_position_vr":{"unit":"%","size":30},"layer_position_hr":{"unit":"%","size":40},"_id":"00052e6"},{"layer_position_vr":{"unit":"%","size":60},"layer_position_hr":{"unit":"%","size":20},"_id":"b31681b"}],"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","presetTitle":"Container","presetIcon":"eicon-container","grid_rows_grid":{"unit":"fr","size":3,"sizes":[]}},"elements":[{"id":"9ce5f78","elType":"widget","settings":{"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom"},"elements":[],"widgetType":"spacer"},{"id":"ef05fa7","elType":"container","settings":{"content_width":"full","width":{"unit":"%","size":80,"sizes":[]},"grid_columns_grid":{"unit":"fr","size":1,"sizes":[]},"grid_rows_grid":{"unit":"fr","size":4,"sizes":[]},"hover_parallax":[{"layer_position_vr":{"unit":"%","size":30},"layer_position_hr":{"unit":"%","size":40},"_id":"4a4179c"},{"layer_position_vr":{"unit":"%","size":60},"layer_position_hr":{"unit":"%","size":20},"_id":"8eebce5"}],"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","presetTitle":"Container","presetIcon":"eicon-container"},"elements":[{"id":"4bb8bcf","elType":"widget","settings":{"title":"L''esprit de l''A\\u00efta\\n","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","title_color":"#BF122E"},"elements":[],"widgetType":"heading"},{"id":"e13c31e","elType":"widget","settings":{"editor":"<p><img class=\\"alignleft wp-image-1503 \\" src=\\"https:\\/\\/atlasazawan.com\\/wp-content\\/uploads\\/2024\\/12\\/lAita.webp\\" alt=\\"Atlas Azawan - Aita\\" width=\\"224\\" height=\\"423\\" \\/>Cet art r\\u00e9sulte de la fusion entre l''art arabe rapport\\u00e9 par les conqu\\u00eates des tribus d''Orient et la tradition amazighe, mais il est difficile de dater avec pr\\u00e9cision la naissance de l''a\\u00efta. Elle est une \\u00ab q''cida \\u00bb (po\\u00e9sie) d''essence b\\u00e9douine, si l''on se r\\u00e9f\\u00e8re \\u00e0 la langue qu''elle v\\u00e9hicule, que l''on peut, dans certains cas, rattacher \\u00e0 des tribus marocaines d''origine arabe, notamment les Ban\\u00fb Hilal ou les Ban\\u00fb Souleim, ou celles qui se sont \\u00e9tablies au Maroc au tout d\\u00e9but de l''\\u00e9poque de la Dynastie des Almohades, au Xll\\u00e8me si\\u00e8cle, et se sont fondues dans le substrat amazigh.<\\/p><p>L'' \\u00ab a\\u00efta \\u00bb est un art pluriel dans le sens o\\u00f9 il existe plusieurs genres qui se d\\u00e9clinent en fonction des r\\u00e9gions dans lesquelles ils sont apparus. Ce n''est pas un art qui s''\\u00e9tend sur tout le territoire marocain car l''a\\u00efta n''est pas pr\\u00e9sente dans toutes les r\\u00e9gions. Chaque variante se nourrit des caract\\u00e9ristiques de la r\\u00e9gion : les traditions sociales, les pratiques culturelles, les sp\\u00e9cificit\\u00e9s linguistiques et l''environnement naturel. Autant de composantes qui fa\\u00e7onnent les diff\\u00e9rentes versions. Il n''en reste pas moins que les r\\u00e9gions de Abda, Chaouia et Doukkala constituent le c\\u0153ur de cette forme de po\\u00e9sie orale o\\u00f9 l''a\\u00efta a trouv\\u00e9 un terrain fertile et favorable.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"d577593","elType":"widget","settings":{"title":"Moussem Moulay Abdellah","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","title_color":"#BF122E"},"elements":[],"widgetType":"heading"},{"id":"ed400f5","elType":"widget","settings":{"editor":"<p>Le Moussem Moulay Abdellah a lieu chaque ann\\u00e9e dans la r\\u00e9gion d''El Jadida, un des grands fiefs de l''a\\u00efta. Il est le rendez-vous attendu et incontournable des Chikhat et des ensembles de l''alta qui viennent ici en p\\u00e8lerinage annuel, perp\\u00e9tuant des traditions ancestrales et participant \\u00e0 une f\\u00eate populaire des plus grandes au Maroc.<\\/p><p>Le Moussem honore le Saint Moulay Abdellah venu s''installer \\u00e0 quelques kilom\\u00e8tres d''El Jadida au XIe si\\u00e8cle. Durant une semaine enti\\u00e8re, ce lieu g\\u00e9n\\u00e9ralement peu fr\\u00e9quent\\u00e9 durant l''ann\\u00e9e, se voit le but ultime d''une population venue de la plaine de Doukkala et du Maroc entier. Une ville de tentes occupe les abords du marabout de ce Saint et une activit\\u00e9 exceptionnelle s''installe alors pendant une semaine, donnant \\u00e0 ce lieu l''allure d''une ville \\u00e0 l''activit\\u00e9 festive ininterrompue.<\\/p><p>Les journ\\u00e9es sont ponctu\\u00e9es de moments de f\\u00eate et de recueillement. On y vient pour retrouver les membres de sa tribu, rencontrer sa famille, demander pardon pour ses p\\u00e9ch\\u00e9s, faire des achats ou m\\u00eame vendre des produits sur des \\u00e9tals informels et abondants qui cr\\u00e9ent un espace de commerce improvis\\u00e9. Les enfants sont choy\\u00e9s, les man\\u00e8ges tournent dans tous les sens. Juste un peu plus loin, des cavaliers om\\u00e9s de leurs plus belles parures se pr\\u00eatent \\u00e0 une parade ancestrale appel\\u00e9e tbourida\\u00bb. Une course artistique de chevaux qui se termine par des tirs de Baroud et qui fait la gloire de cette r\\u00e9gion du Maroc. Le soir, \\u00e0 la tomb\\u00e9e de la nuit, la parole est donn\\u00e9e aux Chikhat pour chanter un r\\u00e9pertoire faisant partie de l''ADN de cette population. La fusion du public avec les Chikhat reprenant le r\\u00e9pertoire de l''alta est un moment exceptionnel du Moussem. Des dizaines d''artistes du genre aita viennent du Maroc entier pour c\\u00e9l\\u00e9brer le Moussem Moulay Abdellah qui reste un des rendez-vous majeurs de pr\\u00e9servation de l''aita.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"42396dd","elType":"widget","settings":{"title":"Tbourida inspire l''a\\u00efta","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","title_color":"#BF122E"},"elements":[],"widgetType":"heading"},{"id":"d22ab7d","elType":"widget","settings":{"editor":"<p>La relation fusionnelle entre l''Aita et la Tbourida est centenaire. Cach\\u00e9e \\u00e0 fombre des autres genres musicaux, seule (Aita a su promouvoir la Tbourida. Que ce soit en fint\\u00e9grant dans ses th\\u00e9matiques po\\u00e9tiques ou en \\u00e9tant le genre musical officiel de la Tbourida dans les moussems, les chants de l''Alta sont consid\\u00e9r\\u00e9s comme les seuls \\u00e0 pouvoir se d\\u00e9ployer sur fond de galops des chevaux de la Tbourida. L''Alta Hasbaouia, r\\u00e9gnant dans la Chaouia, Doukkala et Abda, a enfant\\u00e9 deux chansons incontournables de [Alta consacr\\u00e9es \\u00e0 la Tbourida, \\u00e0 savoir Rkoub Khay! et Koubbat Ukhayl Les Caids \\u00e9tant des adeptes de l''Aita et des moussems, le mariage de ces demiers \\u00e9tait \\u00e9vident. On dit m\\u00eame que la danse qui accompagne les chants de l''Alta est inspir\\u00e9e des pas de chevaux; les pas de danse \\u00e9tant une interpr\\u00e9tation des sons de galops et des gestes des cavaliers.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"7dcf506","elType":"widget","settings":{"title":"L''a\\u00efta et ses territoires\\n","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","title_color":"#BF122E"},"elements":[],"widgetType":"heading"},{"id":"7370da5","elType":"widget","settings":{"editor":"<p>La richesse de l''alta est \\u00e9galement li\\u00e9e \\u00e0 son ancrage territorial. Chaque r\\u00e9gion a sa sp\\u00e9cificit\\u00e9. Plusieurs genres sont clairement identifi\\u00e9s. Nous avons s\\u00e9lectionn\\u00e9 les plus vivants et les plus dynamiques dans leur espace social comme Lhasbaoui. D''autres genres sont beaucoup plus discrets et le r\\u00e9pertoire s''appauvrit de plus en plus. On y retrouve moins de femmes dans les collectifs et moins de jeunes pour prendre la rel\\u00e8ve \\u00e0 l''exemple de l''aita Chaidmia.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"d0df81f","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>1. A\\u00efta Mersaouia<\\/strong><\\/span><\\/h4><p>Grande m\\u00e9tropole marocaine, ouverte sur l''Oc\\u00e9an Atlantique et principal p\\u00f4le \\u00e9conomique, Casablanca est devenue au fil du temps un foyer des populations paysannes en qu\\u00eate de travail. En effet, dans les premi\\u00e8res ann\\u00e9es du XXe si\\u00e8cle, une vague d''\\u00e9migration massive en provenance des campagnes marocaines a rayonn\\u00e9 vers la p\\u00e9riph\\u00e9rie de Casablanca. Ces populations se sont entass\\u00e9es aux abords de la ville, dans le quartier du marsa \\u00bb, le port.<\\/p><p>L''appellation aita mersaouia est souvent li\\u00e9e \\u00e0 ce quartier dans lequel cette forme d''aita est n\\u00e9e. \\u00c0 cette \\u00e9poque, la vie \\u00e9tait difficile dans ces quartiers, le travail d\\u00e9gradant et mal r\\u00e9mun\\u00e9r\\u00e9.<\\/p><p>Contrairement aux campagnes o\\u00f9 les femmes \\u00e9taient actives et participaient \\u00e0 l''entretien des domaines aux c\\u00f4t\\u00e9s des hommes, dans les villes, elles se sont r\\u00e9duites au statut de m\\u00e8re et d''\\u00e9pouse. Les femmes veuves ou divorc\\u00e9es sont les premi\\u00e8res victimes de ce syst\\u00e8me. Lorsqu''une femme se retrouve sans homme pour la soutenir, sa situation financi\\u00e8re devient particuli\\u00e8rement compliqu\\u00e9e surtout avec des enfants \\u00e0 charge. Sa situation financi\\u00e8re s''aggrave alors d''autant plus qu''il est important pour elle de trouver un travail rapidement et si possible bien r\\u00e9mun\\u00e9r\\u00e9.<\\/p><p>Le travail de Chikhat dans les cabarets offre \\u00e0 ces femmes une opportunit\\u00e9 de combiner vie familiale pendant la journ\\u00e9e et travail de nuit. L''aita mersaouia est alors n\\u00e9e dans ce terreau. L''ampleur de la ville permettait aux femmes de travailler loin de leur quartier, loin des regards de la famille et des enfants. Les cabarets et lieux de distraction abritaient alors toute une communaut\\u00e9 de femmes \\u00e0 la recherche d''une place dans une urbanisation qui contraste avec leur campagne d''origine. La diffusion de l''alta dans cette grande ville vient aussi du choix des musiciens qui migrent vers Casablanca pour distraire les ouvriers en mal du pays.<\\/p><p>Cette forme s''est modernis\\u00e9e en ajoutant des instruments comme l''Oud Elle est l''h\\u00e9riti\\u00e8re urbaine de l''hasba qui a trouv\\u00e9 dans ces territoires un nouveau souffle, notamment \\u00e0 El Jadida et Settat.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"858df04","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>2. A\\u00efta Hasbaouia<br \\/><\\/strong><\\/span><\\/h4><p>Le mot hasbaoui renvoie clairement et simplement au territoire de Lhasba dans la r\\u00e9gion de Safi.<\\/p><p>Ici, l''a\\u00efta s''est nourrie des sujets de soci\\u00e9t\\u00e9 qui ont pr\\u00e9occup\\u00e9 les tribus en proie \\u00e0 l''injustice, entre moments de plaisir et exercices de force et de r\\u00e9pression qui ont aussi influenc\\u00e9 ce style artistique qui refl\\u00e8te la vie de ces tribus. Le Hasbaoui renvoie plus globalement \\u00e0 la R\\u00e9gion de Abda, territoire agricole riche et donc propice \\u00e0 la vie et \\u00e0 l''\\u00e9panouissement. Ici, de grandes f\\u00eates et Moussems ont permis \\u00e0 l''aita de s''exprimer, d''o\\u00f9 la richesse du genre Hasbaoui. L''\\u00e9panouissement de l''a\\u00efta hasbaouia vient aussi du soin et de l''int\\u00e9r\\u00eat particulier que le Caid Si Hmad lui a port\\u00e9 vers les ann\\u00e9es 1925, date \\u00e0 laquelle il a pris le relais de son p\\u00e8re connu pour son aust\\u00e9rit\\u00e9. Son p\\u00e8re, Caid Aissa Ben Omar, \\u00e9tait d''ailleurs un des pers\\u00e9cuteurs de la mythique Chikha Karboucha\\u00bb qui lui a tenu t\\u00eate et qui est l''une des ic\\u00f4nes de l'' aita hasbaouia. Elle a consacr\\u00e9 ses paroles et ses rythmes \\u00e0 d\\u00e9fendre sa tribu contre le despotisme de Caid Aissa Ben Omar. L''aita lui doit un h\\u00e9ritage d''une grande valeur.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"d8d856a","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>3. A\\u00efta Jeblia<br \\/><\\/strong><\\/span><\\/h4><p>R\\u00e9pandue dans la r\\u00e9gion du Nord s''\\u00e9tendant de Tanger vers T\\u00e9touan, Chefchaouen, Larrache, Ksar Lekbir et Taounate, l''Aita Jeblia a connu sa gloire avec des chioukhs comme Ahmed Lgerfti, Mohamed Laaroussi, Britel et Lkhmissi.<\\/p><p>L''Aita Jeblia se caract\\u00e9rise par une manipulation des mots avec beaucoup de po\\u00e9sie. Les th\\u00e8mes renvoient majoritairement \\u00e0 la nature et sa beaut\\u00e9 et \\u00e0 la vie dans les montagnes. Il n''en reste pas moins que beaucoup de chansons ont un caract\\u00e8re nationaliste d\\u00e9fendant le pays contre l''occupant. La th\\u00e9matique spirituelle ne manque pas dans le r\\u00e9pertoire Jebli et renvoie majoritairement au Saint protecteur de cette r\\u00e9gion, Moulay Abdessalam M''chiche. Ici aussi, l''a\\u00efta rend hommage et honore ses saints comme partout ailleurs dans les autres terroirs du Maroc. Aujourd''hui, L''Aita Jeblia compte encore des h\\u00e9ritiers qui lui permettent de garder son ampleur et dont nous pouvons citer Chikha Chama Zaz, Chikh Hajji Srifi et le fils h\\u00e9ritier de Ahmed Lgerfti.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"c65f5dc","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>4. A\\u00efta Za\\u00e2ria<br \\/><\\/strong><\\/span><\\/h4><p>Le nom Aita Za\\u00e2ria renvoie \\u00e0 la r\\u00e9gion de Rabat-Sal\\u00e9-Zemmour- Zaer et s''\\u00e9tend jusqu''\\u00e0 Beni Mellal et Khouribga. Ici, l''aita se d\\u00e9cline d''une mani\\u00e8re tr\\u00e8s riche. Elle s''appelle aita Ouardigh du c\\u00f4t\\u00e9 de Rabat, aita Mellalia du c\\u00f4t\\u00e9 de Beni Mellal et khouribguia du c\\u00f4t\\u00e9 de khouribga. Elles sont toutes aussi riches les unes que les autres.<\\/p><p>Cette forme de aita est en relation directe avec l''agriculture. Ainsi, pour f\\u00eater la fin de la saison agricole, des Moussems sont organis\\u00e9s o\\u00f9, pour l''occasion, le chant des chikhates vibre sur la musique de l''Aita Za\\u00e1ria.<\\/p><p>L''Aita Za\\u00e5ria est connue pour utiliser le violon, taarija (tambourin). Ibendir, Oud (Luth), Derbouka, Outar... L''Aita Za\\u00e2ria se caract\\u00e9rise par une technicit\\u00e9 pr\\u00e9cise (temps) qui en fait un champ de performance pour les chikhates qui rivalisent les unes apr\\u00e8s les autres pour d\\u00e9montrer leur ma\\u00eetrise, sans jamais perdre le sens du glamour et le plaisir du chant. Parmi les figures majeures qui ont permis \\u00e0 cette aita de compter parmi les plus importantes, nous pouvons citer Chikha Kharbou\\u00e2a, Chikha Zahra et Chikh Mohamed Labuak.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"088c9e3","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>5. Aita Cha\\u00efdmia<br \\/><\\/strong><\\/span><\\/h4><p>R\\u00e9pandu dans la r\\u00e9gion de Chiadma, un peu plus au sud de Safi vers l''arri\\u00e8re d''Essaouira, ce genre de alta est aujourd''hui celui qui semble avoir subi le moins de transformations. Peu connu, voire reconnu parmi les autres types de alta, il pr\\u00e9sente une forme plus brute. Les instruments utilis\\u00e9s, tr\\u00e8s basiques, comptent un Megroune, sorte de double-fl\\u00fcte en bois mont\\u00e9e sur une forme de core enti\\u00e8rement faite main que seul son joueur sait r\\u00e9gler. Ce type de alta semble \\u00e0 l''image de la duret\\u00e9 de la vie quelle d\\u00e9crit dans cette plaine \\u00e0 la nature r\\u00e9put\\u00e9e rude et peu g\\u00e9n\\u00e9reuse. Pourtant, c''est bien cette m\\u00eame nature qui est chant\\u00e9e par ces troubadours t\\u00e9moins d''une autre \\u00e9poque et qui continuent, on ne sait pour combien de temps encore, \\u00e0 apporter joie et bonheur autour d''eux. La voix puissante du chanteur de l''aita Chaldmia s''\\u00e9l\\u00e8ve pour d\\u00e9passer celle de son instrument Megroune\\u00bb. Le groupe Berkhiss est aujourd''hui un des derniers h\\u00e9ritiers de cette version de alta que l''on peut qualifier comme la plus proche de son origine paysanne.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"ad1fa1f","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>6. Aita Haouzia<br \\/><\\/strong><\\/span><\\/h4><p>L''Alta Haouzia couvre la r\\u00e9gion de Marrakech, Kalaat Sraghna, Rhamna, Ben Guerir. Elle a la particularit\\u00e9 d''\\u00eatre chant\\u00e9e majoritairement par des voix masculines. Les Chioukhs (pluriel masculin de Chikha) se pr\\u00eatent aussi \\u00e0 des danses. L''Aita Haouzia se caract\\u00e9rise aussi par son rythme acc\\u00e9l\\u00e9r\\u00e9, sa composition simple. Avant l''introduction du violon, l''Aita Haouzia utilisait uniquement le tambourin et le \\"loutar\\". La voix y est dominante et les paroles s''\\u00e9coutent attentivement. Comme les autres aita \\u00e0 travers le Maroc. elle a souvent port\\u00e9 une mission nationale en traitant de sujets historiques et \\u00e0 caract\\u00e8re militant pour le pays.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"8cd2d6a","elType":"widget","settings":{"editor":"<h4><span style=\\"color: #9c8047;\\"><strong>7. Aita Filalia (Beldi) <br \\/><\\/strong><\\/span><\\/h4><p>Avec Alta Filalia (beldi), nous sommes typiquement devant un cas d''\\u00e9cole qui renseigne sur la d\\u00e9clinaison de genre de falta sur les territoires du Maroc. Couvrant la r\\u00e9gion de Tafilalet, cette aita est intrins\\u00e8quement li\\u00e9e \\u00e0 la personne du Chikh Mohamed Baout qui, faisant le choix d''exceller dans Tart de raita, a migr\\u00e9 vers Casablanca et Safi pour s''inspirer des grands maltres de rAita Mersaouia. Il a c\\u00f4toy\\u00e9 les artistes se produisant devant Caid Issa Ben Omar et avait pour maltre Bouchaib Lbidaoul. De retour \\u00e0 Errachidia, il combine ces genres ma\\u00eetris\\u00e9s ailleurs \\u00e0 la musique de sa r\\u00e9gion comme Lmalhoune et Jerfi. Il en est sorti le genre de Alta Filalia (Beldi).<br \\/><br \\/>Son repertoire compte des chansons comme Moulate LKhala\\u00bb, Selem Ala Lberad Li Sawbouh LBnate ou Sakhi Bia. La tradition de l''Aita Filalia tire ainsi son originalit\\u00e9 de ce parcours atypique de son maltre qui y a aussi introduit des instruments comme raccord\\u00e9on et la mandoline qui n''en font plus partie depuis. Il faut noter que ce genre de alta porte TADN sahraoui propre au terroir filali. Elle est en cela unique et particuli\\u00e8re Engag\\u00e9 jusqu''au bout dans son art, Mohamed Baout d\\u00e9c\\u00e8de \\u00e0 Mekn\\u00e8s alors qu''il se pr\\u00e9pare \\u00e0 monter sur les planches du cin\\u00e9ma ABC o\\u00f9 son public l''attend....<br \\/><br \\/>Aujourd''hui, l''Aita Filalia reste un patrimoine de grande valeur que la r\\u00e9gion d''Errachidia affectionne particuli\\u00e8rement. Comme les autres formes de l''aita, le Beldi souffre d''un manque de relais et de transmission. De nos jours, seul Chikh Moulay Cherif Lhemri un disciple fid\\u00e8le et passionn\\u00e9 de T''h\\u00e9ritage de Mohamed Baout. Il continue de perp\\u00e9tuer cette tradition sans pour autant \\u00eatre un fervent adorateur des sc\\u00e8nes et des grandes rencontres, ce qui ne permet pas \\u00e0 cette alta de prendre la place qu''elle merite et d''aller \\u00e0 la rencontre de son public.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"}],"isInner":true},{"id":"032d2cb","elType":"widget","settings":{"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom"},"elements":[],"widgetType":"spacer"}],"isInner":false}]'),
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(17893, 1769, '_elementor_data', '[{"id":"6879ffd","elType":"container","settings":{"flex_align_items":"center","grid_columns_grid":{"unit":"fr","size":1,"sizes":[]},"hover_parallax":[{"layer_position_vr":{"unit":"%","size":30},"layer_position_hr":{"unit":"%","size":40},"_id":"00052e6"},{"layer_position_vr":{"unit":"%","size":60},"layer_position_hr":{"unit":"%","size":20},"_id":"b31681b"}],"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","presetTitle":"Container","presetIcon":"eicon-container","grid_rows_grid":{"unit":"fr","size":3,"sizes":[]}},"elements":[{"id":"9ce5f78","elType":"widget","settings":{"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom"},"elements":[],"widgetType":"spacer"},{"id":"ef05fa7","elType":"container","settings":{"content_width":"full","width":{"unit":"%","size":80,"sizes":[]},"grid_columns_grid":{"unit":"fr","size":1,"sizes":[]},"grid_rows_grid":{"unit":"fr","size":4,"sizes":[]},"hover_parallax":[{"layer_position_vr":{"unit":"%","size":30},"layer_position_hr":{"unit":"%","size":40},"_id":"4a4179c"},{"layer_position_vr":{"unit":"%","size":60},"layer_position_hr":{"unit":"%","size":20},"_id":"8eebce5"}],"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","presetTitle":"Container","presetIcon":"eicon-container"},"elements":[{"id":"4bb8bcf","elType":"widget","settings":{"title":"The anthology of Rrways has been released! Discover the new gem of Moroccan Amazigh musical heritage.","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","title_color":"#BF122E","typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"600","typography_line_height":{"unit":"px","size":40,"sizes":[]}},"elements":[],"widgetType":"heading"},{"id":"e13c31e","elType":"widget","settings":{"editor":"<p><img class=\\"alignleft wp-image-1510 \\" src=\\"https:\\/\\/atlasazawan.com\\/wp-content\\/uploads\\/2024\\/12\\/rrways.webp\\" alt=\\"Atlas Azwan - rrways\\" width=\\"202\\" height=\\"381\\" \\/><\\/p><p>The \\"Anthology of Rrways\\" is the result of two years of careful work, with many days of recording and filming to bring together a quality collection of significant pieces from both old and new \\u1e5a\\u1e5bways music albums.<\\/p><p>This new anthology, \\"Rrways: A Journey into the Realm of Amazigh Wandering Poet-singers,\\" is the result of thorough research and comes in a box set of 10 albums featuring 100 tracks recorded by over 80 artists in a Casablanca studio. The anthology also includes 3 booklets, each 120 pages long, in Arabic, French, and English. These booklets cover topics such as the origins of \\u1e5a\\u1e5bways music, its history and evolution over time, different rhythms, and biographies of the main Rrways and Ta\\u1e5b\\u1e5bwaysin artists.<\\/p><p>The Anthology is primarily a tribute to the Ta\\u1e5b\\u1e5bwaysin, Rrways, and all those who continue to preserve this artistic tradition that is an essential part of our national musical heritage. This project was made possible by the involvement and spontaneous efforts of many researchers, technicians, and artists, including about fifty performers and singers from several regions of Morocco such as Agadir, Inzegane, Marrakech, Casablanca, Essaouira, and Ouarzazate. They were eager to share their art and contribute to preserving and passing it on through this project.<\\/p><p>For those familiar with this music genre, these educational booklets will open the doors to understanding this musical heritage: the origins of Rrways music, its history, rhythms, and melodies, as well as the choreography used in performances. Listening to the tracks included with these booklets will deepen your experience and knowledge of this art.<\\/p><p>The Anthology of Rrways, a joint production of the <a href=\\"https:\\/\\/atlasazawan.com\\/en\\/intro\\/\\"><span style=\\"color: #bf122e;\\">Atlas Azawan Association<\\/span><\\/a> and Anya, directed by Brahim El Mazned, is the embodiment of the desire of the involved parties to preserve and promote Morocco''s intangible heritage through the music of Rrways; an art that has finally taken the place it deserved for a long time.<\\/p><p>It is an invitation to discover this new book on Morocco''s musical heritage, filled with the best artists. It is also an invitation to dive deeper into the wonderful world of Rrways music.<\\/p><p>The Anthology of Rrways: Key Figures :<\\/p><ul><li>1000 copies of the Anthology intended for institutions, libraries, conservatories, universities, cultural centers in Morocco and abroad.<\\/li><li>100 musical titles.<\\/li><li>10 albums.<\\/li><li>3 booklets (English\\/French\\/Arabic).<\\/li><li>80 musicians, including 50 performers.<\\/li><li>2 years of thorough research and fieldwork.<div class=\\"e-con-inner\\"><div class=\\"elementor-element elementor-element-910bea1 elementor-widget elementor-widget-spacer\\" data-id=\\"910bea1\\" data-element_type=\\"widget\\" data-widget_type=\\"spacer.default\\">\\u00a0<\\/div><\\/div><\\/li><\\/ul>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"}],"isInner":true},{"id":"032d2cb","elType":"widget","settings":{"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom"},"elements":[],"widgetType":"spacer"}],"isInner":false}]');
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From March 29 to 31, 2021, students from the Nabouls High School in Taghazout had the opportunity to participate, followed by students from the Al-Aqqad High School in Amskroud from April 5 to 7.<\\/p><p>This activity aims to develop students'' artistic and cultural awareness through artistic workshops led by several Rrways masters, including Moulay Ahmed Ihihi, Lahcen Belmoudden, Fatima Tabaamrant, Ahmed Oumast, Fatima Tachtoukt, among others, with the presence of musicians and researchers like Dr. Lahcen Bouyaakoubi, Khalid Alayoud, Mohamed Oulkach, and Brahim El Mazned. These meetings allowed the high school students to understand the importance of knowing and preserving the intangible cultural heritage of the art of tirruysa, as well as the richness of this music, with its unique instruments and sounds.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"7fe3785","elType":"widget","settings":{"image":{"url":"https:\\/\\/atlasazawan.com\\/wp-content\\/uploads\\/2024\\/11\\/Atlas-Azawan-INDH-1.webp","id":1264,"size":"","alt":"Atlas Azawan - INDH","source":"library"},"image_size":"full","width":{"unit":"%","size":100,"sizes":[]},"space":{"unit":"%","size":100,"sizes":[]},"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom"},"elements":[],"widgetType":"image"},{"id":"9d6eafa","elType":"widget","settings":{"editor":"<p>These days of exchange with the younger generation were also an opportunity to present the Anthology of the Rrways and to raise awareness about this project, focusing on both transmission and preservation. 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L\\u2019anthologie contient \\u00e9galement 3 livrets, de 120 pages chacun, en arabe, fran\\u00e7ais et anglais abordant plusieurs th\\u00e8mes tels que les origines de la musique des \\u1e5a\\u1e5bways, son histoire et son \\u00e9volution dans le temps, les diff\\u00e9rents rythmes\\u2026 ainsi que les biographies des principaux \\u1e5a\\u1e5bways et Ta\\u1e5b\\u1e5bwaysin.<\\/p><p>L\\u2019Anthologie est avant tout un hommage aux Ta\\u1e5b\\u1e5bwaysin, aux \\u1e5a\\u1e5bways et \\u00e0 tous ceux qui perp\\u00e9tuent cette tradition artistique qui fait partie int\\u00e9grante de notre patrimoine musical national. Ce projet a vu le jour gr\\u00e2ce \\u00e0 l\\u2019implication et \\u00e0 la mobilisation spontan\\u00e9e de nombreux chercheurs, techniciens et artistes, dont une cinquantaine d\\u2019interpr\\u00e8tes et chanteurs de musique de plusieurs r\\u00e9gions du Maroc notamment, Agadir, Inzegane, Marrakech, Casablanca, Essaouira, Ouarzazate\\u2026, tous d\\u00e9sireux de partager leur art et de contribuer \\u00e0 travers ce projet \\u00e0 sa pr\\u00e9servation et \\u00e0 sa transmission.<\\/p><p>Pour ceux qui connaissent ce genre musical, ces livrets p\\u00e9dagogiques vous ouvriront les portes de ce patrimoine musical : les origines de la musique de \\u1e5a\\u1e5bways, son histoire et son \\u00e9volution dans le temps, les rythmes et les diff\\u00e9rentes m\\u00e9lodies ainsi que les chor\\u00e9graphies utilis\\u00e9es dans les spectacles. L\\u2019\\u00e9coute des titres joints \\u00e0 ces livrets vous permettra d\\u2019enrichir votre exp\\u00e9rience et vos connaissances sur cet art.<\\/p><p>L\\u2019Anthologie des \\u1e5a\\u1e5bways, une production conjointe de l\\u2019<a href=\\"https:\\/\\/atlasazawan.com\\/presentation\\/\\" target=\\"_blank\\" rel=\\"noopener\\"><span style=\\"color: #bf122e;\\">Association Atlas Azawan<\\/span><\\/a>\\u00a0et d\\u2019Anya, sous la direction de Brahim El Mazned, est l\\u2019incarnation de la volont\\u00e9 des parties impliqu\\u00e9es de pr\\u00e9server et de promouvoir le patrimoine immat\\u00e9riel du Maroc \\u00e0 travers la musique des \\u1e5a\\u1e5bways ; un art qui a finalement pris la place qu\\u2019il m\\u00e9ritait depuis longtemps.<\\/p><p>C\\u2019est une invitation \\u00e0 d\\u00e9couvrir ce nouveau livre de l\\u2019h\\u00e9ritage musical marocain parsem\\u00e9 des meilleurs artistes. C\\u2019est aussi une invitation \\u00e0 plonger plus profond\\u00e9ment dans le monde merveilleux de la musique des \\u1e5a\\u1e5bways.<\\/p><p>L\\u2019Anthologie des \\u1e5a\\u1e5bways : Chiffres cl\\u00e9s :<\\/p><ul><li>1000 exemplaires de l\\u2019Anthologie destin\\u00e9s aux institutions, biblioth\\u00e8ques, conservatoires, universit\\u00e9s, centres culturels au Maroc et \\u00e0 l\\u2019\\u00e9tranger .<\\/li><li>100 titres musicaux .<\\/li><li>10 albums .<\\/li><li>3 livrets (anglais\\/fran\\u00e7ais\\/arabe) .<\\/li><li>80 musiciens dont 50 interpr\\u00e8tes .<\\/li><li>2 ans de recherches minutieuses et de travail sur le terrain.<br \\/><div class=\\"elementor-element elementor-element-9dadc85 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent e-lazyloaded\\" data-id=\\"9dadc85\\" data-element_type=\\"container\\"><div class=\\"e-con-inner\\"><div class=\\"elementor-element elementor-element-2642913 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-child\\" data-id=\\"2642913\\" data-element_type=\\"container\\"><div class=\\"elementor-element elementor-element-ed839c8 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\\" data-id=\\"ed839c8\\" data-element_type=\\"widget\\" data-widget_type=\\"text-editor.default\\"><div class=\\"elementor-widget-container\\">\\u00a0<\\/div><\\/div><\\/div><\\/div><\\/div><div class=\\"elementor-element elementor-element-b6c469b e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent e-lazyloaded\\" data-id=\\"b6c469b\\" data-element_type=\\"container\\"><div class=\\"e-con-inner\\"><div class=\\"elementor-element elementor-element-910bea1 elementor-widget elementor-widget-spacer\\" data-id=\\"910bea1\\" data-element_type=\\"widget\\" data-widget_type=\\"spacer.default\\">\\u00a0<\\/div><\\/div><\\/div><\\/li><\\/ul>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"}],"isInner":true},{"id":"032d2cb","elType":"widget","settings":{"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom"},"elements":[],"widgetType":"spacer"}],"isInner":false}]'),
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Ce projet a vu le jour gr\\u00e2ce \\u00e0 l\\u2019implication et \\u00e0 la mobilisation spontan\\u00e9e de nombreux chercheurs, techniciens et artistes, dont une cinquantaine d\\u2019interpr\\u00e8tes et chanteurs de musique de plusieurs r\\u00e9gions du Maroc notamment, Agadir, Inzegane, Marrakech, Casablanca, Essaouira, Ouarzazate\\u2026, tous d\\u00e9sireux de partager leur art et de contribuer \\u00e0 travers ce projet \\u00e0 sa pr\\u00e9servation et \\u00e0 sa transmission.<\\/p><p>Pour ceux qui connaissent ce genre musical, ces livrets p\\u00e9dagogiques vous ouvriront les portes de ce patrimoine musical : les origines de la musique de \\u1e5a\\u1e5bways, son histoire et son \\u00e9volution dans le temps, les rythmes et les diff\\u00e9rentes m\\u00e9lodies ainsi que les chor\\u00e9graphies utilis\\u00e9es dans les spectacles. 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Ainsi, du 29 au 31 mars 2021 les \\u00e9l\\u00e8ves du Lyc\\u00e9e Nabouls \\u00e0 Taghazout ont pu profiter de cette belle opportunit\\u00e9, suivis des \\u00e9l\\u00e8ves du Lyc\\u00e9e Al-Aqqad \\u00e0 Amskroud du 5 au 7 avril.<\\/p><p>Cette activit\\u00e9 vise \\u00e0 d\\u00e9velopper le sens artistique et culturel des \\u00e9l\\u00e8ves \\u00e0 travers des ateliers artistiques anim\\u00e9s par plusieurs ma\\u00eetres rrways, notamment Moulay Ahmed Ihihi, Lahcen Belmoudden, Fatima Tabaamrant, Ahmed Oumast, Fatima Tachtoukt\\u2026 en pr\\u00e9sence de plusieurs musiciens et des chercheurs comme le Dr. Lahcen Bouyaakoubi, Khalid Alayoud, Mohamed Oulkach et Brahim El Mazned. Ces rencontres ont permis aux lyc\\u00e9ens de saisir l\\u2019importance de conna\\u00eetre et conserver l\\u2019h\\u00e9ritage culturel immat\\u00e9riel qu\\u2019est l\\u2019art de tirruysa, mais \\u00e9galement la richesse de cette musique, aux instruments et aux sonorit\\u00e9s uniques.<\\/p>","pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom","__globals__":{"text_color":"globals\\/colors?id=secondary"},"typography_typography":"custom","typography_font_family":"Poppins","typography_font_weight":"300"},"elements":[],"widgetType":"text-editor"},{"id":"7fe3785","elType":"widget","settings":{"image":{"url":"https:\\/\\/atlasazawan.com\\/wp-content\\/uploads\\/2024\\/11\\/Atlas-Azawan-INDH-1.webp","id":1264,"size":"","alt":"Atlas Azawan - INDH","source":"library"},"image_size":"full","width":{"unit":"%","size":100,"sizes":[]},"space":{"unit":"%","size":100,"sizes":[]},"pa_condition_repeater":[],"premium_tooltip_text":"Hi, I''m a global tooltip.","premium_tooltip_position":"top,bottom"},"elements":[],"widgetType":"image"},{"id":"9d6eafa","elType":"widget","settings":{"editor":"<p>Ces jours d''\\u00e9change avec la jeune g\\u00e9n\\u00e9ration ont \\u00e9galement \\u00e9t\\u00e9 l''occasion de pr\\u00e9senter l''Anthologie des Rrways, et de permettre aux jeunes pr\\u00e9sents d''\\u00eatre sensibilis\\u00e9s \\u00e0 ce projet, entre transmission et conservation. 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